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Jacob Höglund, Nyckelharpor
![](https://static.wixstatic.com/media/1ea144_262cdaceddfc8155027fa7119e19f839.jpg/v1/fill/w_147,h_98,al_c,q_80,usm_0.66_1.00_0.01,blur_2,enc_auto/1ea144_262cdaceddfc8155027fa7119e19f839.jpg)
![](https://static.wixstatic.com/media/1ea144_d650160f5f1c56cddc1c15c6fda587a8.jpg/v1/fill/w_147,h_98,al_c,q_80,usm_0.66_1.00_0.01,blur_2,enc_auto/1ea144_d650160f5f1c56cddc1c15c6fda587a8.jpg)
![](https://static.wixstatic.com/media/1ea144_b2670d500024a2bda6f8f158db35e456.jpg/v1/fill/w_147,h_98,al_c,q_80,usm_0.66_1.00_0.01,blur_2,enc_auto/1ea144_b2670d500024a2bda6f8f158db35e456.jpg)
![](https://static.wixstatic.com/media/1ea144_262cdaceddfc8155027fa7119e19f839.jpg/v1/fill/w_147,h_98,al_c,q_80,usm_0.66_1.00_0.01,blur_2,enc_auto/1ea144_262cdaceddfc8155027fa7119e19f839.jpg)
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Building
All building of good instruments starts with good wood. For the body I use spruce that have been left to dry at least 10 years. The stringholder, bridge, tuning pegs and key-box is made out of lyme. The keyes are sculptured in birch.
Bows are made out of laminated beech or solid birch.
Building
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